Understanding editorial vs. production: Who does what?

In the world of film and television, the roles within Editorial and Production departments are distinct but equally vital. Here’s a simple breakdown to help you understand who’s who and what each department does.
Think of it this way: Editorial are the storytellers, while Production handles the logistics. Crew members often form their own specialized departments, and Post Production is a separate entity altogether.
Editorial: The Storytellers
Editorial is focused on crafting and refining the narrative of the project. Their job is to shape the raw footage into a compelling story. Here’s a look at some key roles within the Editorial department:
- Editor: Assembles and cuts the footage to create the final version of the film or episode. They work closely with directors and producers to ensure the story flows seamlessly.
- Assistant Editor: Supports the editor by managing footage, organizing files, and handling initial cuts. They are essential for keeping the editing process smooth and efficient.
- Colourist/Grader: Applies colour correction and grading to enhance the visual style and ensure consistency across all footage.
- Audio Mixer: Edits and mixes sound effects, dialogue, and music to create a balanced and engaging audio experience.
Production: The Logistics Experts
Production is all about making sure everything runs smoothly on set and coordinating all logistical aspects of filming. Here are some key roles within the Production department:
- Producer: Oversees the entire project, managing budgets, schedules, and ensuring that the project stays on track from pre-production through to the final cut.
- Production Manager: Handles the day-to-day operations on set, including coordinating schedules, managing crew, and ensuring that all logistical needs are met.
- Production Assistant (PA): Provides general support on set, helping with a variety of tasks as needed, from running errands to assisting different departments.
- Line Producer: Manages the budget and day-to-day production logistics, ensuring that the project remains on schedule and within financial constraints.
- Director: Guides the creative vision of the project, working closely with both Editorial and Production teams to bring the story to life.
Where to Start
If you’re interested in working in either Editorial or Production, a great place to start is by applying to Production Companies. These companies are where you can connect with professionals in both departments, learn about the various roles, and see if a particular position aligns with your interests and skills.
By understanding the roles within these departments, you can better navigate the industry and find the path that’s right for you. Whether you’re drawn to storytelling or the logistics behind the scenes, each role plays a crucial part in the creation of film and television content.













































